The stories of some of the biggest artists in music, recalling the romance and adventure, as well as the idiocy and chaos, of their time on the road. While the world has changed, the custom has not changed. There is no other way to know whether you can make it in this business. You have to get in the van.

As a divorced father of two teenage daughters, with a head-strong ex-wife for a best friend, too many peculiar patients to keep up with and a new dog, psychotherapist Max certainly doesn't need another challenge. But when Sophie, a compulsive gambler with a boyfriend problem, regularly shows up late for her appointments, she rocks his world in ways he's not ready for.

Lisa & her gentleman guest co-host respond to questions and discuss G rated relationship issues with LIVE callers to help viewers learn more about what motivates the opposite sex without the use of the 3 letter word with the "x" in it.

我们常说的古代文明通常指四大文明，古代中国、古代印度、古代埃及以及古代美索不达米亚四大文明，当然在这部专题系列中除了一一的向我们介绍了这四个地区的古代人的杰出贡献以外，还提到了其他洲的古代文明，如美洲的阿芝台克和印加人，阿拉伯人，欧洲的古希腊人和古罗马人。

我们常说的古代文明通常指四大文明，古代中国、古代印度、古代埃及以及古代美索不达米亚四大文明，当然在这部专题系列中除了一一的向我们介绍了这四个地区的古代人的杰出贡献以外，还提到了其他洲的古代文明，如美洲的阿芝台克和印加人，阿拉伯人，欧洲的古希腊人和古罗马人。

First, a question to the viewer: if it were raining indoors, where would we seek shelter from the insistent drops? Where would we feel safe and dry? We have to go to the other side of the threshold. Suddenly a bell rings, and who is it ringing for? “I spoke to me, he to he, she to she, the ground spoke to the ground, the trees to the tree. Meanwhile inside, the familiarity of that well met rain continues to be falling…“ writes the director. 　　The animation, which evokes the presence of a hand, is like pleasant afternoon rain in summer – a time for contemplation, talking to oneself, and beholding a sky at dusk. Australian-born Milly Yencken studied painting in Tasmania and received her classical animation training in Vancouver, continuing her studies at Masters level at the Estonian Academy of Arts. Her work combines oil painting with charcoal to create her signature brand of colour brutalism and fauvist embellishment, attempting to create spaces and images that are immersive and invite reflection in the viewer. 　　源自：https://rigaiff.lv/en/films-2023/austrumlietus/

First, a question to the viewer: if it were raining indoors, where would we seek shelter from the insistent drops? Where would we feel safe and dry? We have to go to the other side of the threshold. Suddenly a bell rings, and who is it ringing for? “I spoke to me, he to he, she to she, the ground spoke to the ground, the trees to the tree. Meanwhile inside, the familiarity of that well met rain continues to be falling…“ writes the director. 　　The animation, which evokes the presence of a hand, is like pleasant afternoon rain in summer – a time for contemplation, talking to oneself, and beholding a sky at dusk. Australian-born Milly Yencken studied painting in Tasmania and received her classical animation training in Vancouver, continuing her studies at Masters level at the Estonian Academy of Arts. Her work combines oil painting with charcoal to create her signature brand of colour brutalism and fauvist embellishment, attempting to create spaces and images that are immersive and invite reflection in the viewer. 　　源自：https://rigaiff.lv/en/films-2023/austrumlietus/

Actors, crew and historians look at both the reality and fantasy behind the story of The Romans. With actors William Russell, Kay Patrick, Barry Jackson, Anthony Andrews and Christopher Biggins, director Christopher Barry, designer Raymond Cusick, historian Dr Mark Bradley, writer James Moran, Doctor Who Magazine editor Tom Spilsbury and 1960s viewer Ian McLachlan. Narrated by John Bowe.

A character study as well as a meditation on communication, creativity, and physical space, Take What You Can Carry is a picture of a young woman seen through the interiors she occupies and the company she keeps. A North American living abroad, Lilly aspires to shape an intimate and private place of her own while connecting to the world around her. When she receives a letter from home, it provides the conduit she needs to fuse her transient self with the person she's always known herself to be.

A broken-spirited Tim struggles to navigate love and loss, only to find the extraordinary beauty of life from an ordinary can.